Bride of the Wind (2001)
There are times in history of renaissance, times of revival in learning and culture. These are times of scientific breakthrough, times of new thinking, times of the arts and times of sensuality. These are erotic times because of permission to indulge the senses. These are also erotic times because this freedom includes women, and women include their sexuality. There has been three renaissance periods in the last 120 years in Europe and America. These times were the turn of the century, the roaring 20’s and the 60’s. “The Bride of the Wind” is the story of Alma Schindler, played by Sarah Wynter, during the turn of the century. The “Bride of the Wind” is based on the real life story of the wife of Gustav Mahler, the early 20th century Vienna, composer. We follow Alma as this breeze lofts her into a number of erotic affairs, marriages and children, with some of the most creative artists of her time. Each of her lovers are intoxicated with her passion, sensuality and freedom. However, each unsuccessfully tries to “tie her down.”
I found the film very enjoyable. The sexual scenes were erotic and well photographed. The story captured the artistic and sexual freedom of the time. I believe the film captures one aspect of how periods of renaissance end. Men at first are delighted to be under the influence of highly erotic partners. However, this also becomes threatening. I have seen this reoccur in the swinging lifestyle of today; men frequently encourage their wives to enjoy the erotic pleasure of multiple partners only later to feel the need “tie her back down.” Alma in the “Bride of the Wind” showed the capacity to love a new partner while still holding on to the love for her former partners. I think this is true renaissance.
Saturday, November 26, 2005
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